Author: Conor

Dancing in the Dark: Re-Mythologising James Joyce’s Bat-Like Souls

October 24 2022

The theme of this composite artistic event is concomitant and Dr. Caroline Elbay’s talk will address how, from the ‘bat-like soul’ of A Portrait of the Artist as a Young Man to the ’little bats [who] don’t tell’ in Ulysses and the ‘bawk of bats’ in Finnegans Wake, Joyce’s alignment of the bat with female characters essentially debunks negative stereotypes, thus placing the bat in its rightful place as a symbol of the creative spirit and positioning women in an environment of growing self-empowerment and liberation in the modern world.

Dr. Caroline Elbay’s talk will take place on Monday, 24 October at 7pm.

The exhibition will run from 24 October to 7 November and will feature original art and film by Dr. Joyce Garvey that are inspired by the myriad references to bats across the Joycean oeuvre and also by Lucia Joyce’s illustrations.

The Centennial of Trilce and Ulysses: César Vallejo and James Joyce

20 October 2022

As part of our Ulysses 100 programme of events, the James Joyce Centre and the Peruvian Embassy in Ireland will co-host a unique celebration of 100 years of two masterpieces of modern literature: Trilce by the Peruvian poet César Vallejo and Ulysses by James Joyce.

César Vallejo (1892-1938) was a Peruvian poet and writer considered one of the greatest exponents of literature in Peru and one of the most innovative in twentieth-century poetry. In 1922, he published his famous work Trilce, one of the most important works of the Latin American avant-garde. His poems revolutionized poetics in the Spanish language and conveyed many emotions as they addressed childhood, the absence of the mother, love, and prison, highlighting the importance of solidarity and empathy with the suffering of others.

After introductory remarks by the Peruvian Ambassador Ana María Sánchez Vargas De Ríos, Professor Jose Antonio Mazzotti of Tufts University and Professor Sam Slote of Trinity College Dublin will deliver lectures on the relationship between the two writers. We will then have a discussion moderated by Dr. Josh Quezada Newman of Trinity College Dublin.

José Antonio Mazzotti is Professor of Spanish Culture and Civilization & Professor of Latin American Literature, Department of Romance Studies, Tufts University. He is Director of Revista de Crítica Literaria Latinoamericana and President of the International Association of Peruvianists. Sam Slote is Professor of English at Trinity College Dublin. His most recent book, co-written with Marc Mamigonian and John Turner, is Annotations to James Joyce’s Ulysses (Oxford University Press, 2022). Josh Quezada Newman is an adjunct instructor of English at Trinity College Dublin and an assistant at the Centre.

The Shakespeare and Company Project

The James Joyce Centre was delighted to host Associate Professor Joshua Kotin of Princeton University to discuss his work as director of The Shakespeare and Company Project.

In 1919, an American woman named Sylvia Beach opened an English-language bookshop and lending library in Paris. She called it Shakespeare and Company and it quickly became the meeting place for a community of writers and artists now known as the lost generation. In 1922, Beach published James Joyce’s Ulysses under the Shakespeare and Company imprint, a feat that made her and her bookshop and lending library famous around the world.

The Shakespeare and Company Project is a digital humanities initiative at Princeton that uses Beach’s archives to tell new stories about the lost generation. Founded in 2020, the Project details what members of the bookshop and lending library community read and where they lived. The Project also addresses questions about literary history, offering new insights about Joyce’s readership and the development of modernism.

Prof. Kotin outlined how the Shakespeare and Company Project was made: how archives became data, and how data can illuminate new ways of understanding canonical literature. He also discussed the Project’s many challenges and future goals.

The event was hosted in association with University College Dublin.

Womancity: Women in Joyce (Culture Night)

On Culture Night, 23 September 2022, the James Joyce Centre hosted a number of events and exhibitions dedicated to Joyce’s professional and personal relationships with women: the publishers, patrons, typists, and many others who were instrumental in Joyce’s life as an artist.

Ulysses and the Women Behind the Scenes was a conversation about the women that have inspired and supported the life and work of James Joyce. We were delighted to welcome Harriet Cole (née Weaver), whose grandaunt, Harriet Shaw Weaver, was one of the most important and influential women in Joyce’s career. She was in conversation with special guests Clare Hutton, curator of the exhibition Women and the Making of Ulysses at the Ransom Center in Austin, Texas, Caitríona Ní Threasaigh, an actress who has been performing Molly for almost a decade, and Lucy Brennan-Shiel, a multimedia artist who has made a documentary and a new album with a dedication to Weaver. Some of the items from the Women and the Making of Ulysses exhibition, including an original Shakespeare & Co. copy of Ulysses, were on display.

In addition, actress Caitríona Ní Threasaigh performed a riveting extract of Molly Bloom’s soliloquy from Ulysses. Molly’s soliloquy, the extraordinary final chapter of James Joyce’s Ulysses, remains after 100 years one of the finest passages of writing in modern literature. Joyce documents a woman’s thoughts in an uncensored stream of consciousness interwoven with memories and fantasies. Regarded as scandalous and brilliant in its intimacy, the soliloquy is captivating and enthralling. Caitríona’s performance was a favourite of the night.

Bloomsday Festival 2022 12- 18th June

To celebrate 100 years of Ulysses, this year’s Bloomsday Festival will fill Dublin City with all the joy, fun and creativity of James Joyce’s epic novel. With over 100 different events to be encountered, spread over a whole week of entertainment, the festival focus will be on celebrating the city, its theatres, art, parks, beaches, music, waterways, streets, squares, pubs and people.

Sample the real places and spaces of Ulysses with a swim in the Forty Foot and visit to the James Joyce Tower in Sandycove, fill your senses with lemon soap and lots more at besides at Sweny’s Chemist. Take the new ‘Paddy Dignam’ tour and Joyce Exhibition at Glasnevin Cemetery, listen to the bell ringers of Taney Road Church ring the bells that set Leopold Bloom off on his wanderings ‘ Heigh Ho Heigh ho’.

Walk into eternity on Sandymount Strand with national treasure Eanna Ni Lamhna. Sample the gastronomic delights of Davy Byrnes pub where a stage will be set up for two days of street performances, enjoy the splendor of the reading room of the National Library with a special evening opening on Bloomsday or why not simply feed a seagull on O’ Connell Bridge.

Highlights of this years festival are certainly the exciting range of theatrical and musical performances, including the exceptional Corn Exchange’s Dubliners in Smock Alley and enchanting evening concert of Chamber Music at the Hugh Lane Gallery. Not to be missed for Ulysses 100 is Barry McGovern reading the entire Ulysses on the Abbey Theatre’s Peacock stage.

The Bloomsday Film Festival will be live throughout the city in the IFI, Sugar Club and James Joyce Centre. Joycean and literary themed short and feature films will bring us on an incredible cinematic odyssey.

Visit the glorious MOLI Bloomsday Programme at the Museum of Literature Ireland, where Joyce attended college before setting off on his European adventures. Take a Ulysses themed walk along the Royal Canal or follow in Father Conmee’s footsteps. Enjoy a feast of Ulysses and Joyce art exhibitions at the National Gallery, James Joyce Centre, Oliver Cornet Gallery, Smock Alley and the Graphic Studio.

For younger audiences a special reading of the Cat and The Devil, Joyce’s children’s story written for his grandson Stephen wil take place at the James Joyce Centre, while the Chester Beatty will once again run their Joyce inspired online workshop.

On Bloomsday itself, immerse yourself in a glorious afternoon of Ulysses Readings and Songs in Meeting House Square, Temple Bar, as comedians, actors, writers and musicians guide you through the novel.

Once again, we will bring Bloomsday and all its fun back to the heart of the Hibernian Metropolis.

Weaver of the Wind – Online webinar –

On Thursday 21st April the James Joyce Centre hosted Weaver of the Wind – a conversation to unweave Harriet Shaw Weaver’s unique and complex role within the legacy of Ulysses.

This online webinar was presented by the people behind 4 diverse Ulysses centenary projects; “Weaver of the Wind” a short film by Lucy Brennan Shiel, The Ulysses 100 Project E-book produced by Susan Leybourne and Marion Byrne, the online premiere of “In token of gratitude” a short documentary with Harriet Shaw Weaver’s great-niece Harriet Cole ( nee Weaver) and “Women and the Making of Ulysses” in Austin, Texas curated by Clare Hutton.

James Joyce dedicated the No 1 hand-printed First Edition copy of Ulysses to Harriet Shaw Weaver with the inscription ‘In token of gratitude’ and significantly referenced her within Ulysses as “Weaver of the Wind.” Both quotes highlight her importance in the life and work of James Joyce. In our diverse ways, we are giving voice to her quiet modesty and exploring her crucial underpinning and understanding of his genius.

Watch –

Penguin Podcast Ulysses

On the Road with Penguin Classics is a podcast that takes a stroll around the world’s favourite books. In each episode author and editor Henry Eliot travels to a different literary location to explore a brilliant book in the company of a remarkable reader. Professor Anne Fogarty joins Henry in Dublin to recreate a day in the life of Leopold Bloom. They visit the Martello Tower where the novel opens, Eccles Street, Davy Byrnes and the National Library. and they meet Darina Gallagher, director of the James Joyce Centre.

Lunchtime With Bloom

The James Joyce Centre went on tour to Duke Street for a fantastic birthday bash on Feb 2nd 2022. Guests gathered at Davy Byrnes pub for a performance of ‘Lunchtime with Bloom’, an adaptation of Chapter 8 of Ulysses by James Joyce. It was performed by the JoyceStagers in a new adaptation by Val O Donnell, it was staged in the iconic setting of Davy Byrnes Pub, now boasting a first edition of Ulysses on view to the public in ‘Molly’s Room’.

Ulysses 100 stamps

An Post has unveiled two new stamps to celebrate the centenary of the publication of James Joyce’s celebrated book Ulysses.

The Ulysses 100 stamps from An Post were designed by Amsterdam-based Irish designers, The Stone Twins. The stamp design is intentionally unorthodox, challenging, and unexpected, as well as modernist – exactly what you would expect from Ulysses.

Inspired by James Joyce’s use of the ‘Gilbert Schema’ within Ulysses, the two-stamp design consists of a total of 18 sections, which signify the number of chapters in the book. The stamp design overlays the colours and structure defined in Joyce’s ‘Gilbert Schema’, with photographs captured by renowned photographer JJ Clarke, a doctor from Castleblayney in Co. Monaghan who took vivid images of daily life in Dublin when he was a medical student there between 1897 and 1904. As Ulysses is particularly famous for challenging the conventions of language, the inverted type used in the stamp design was chosen to reflect Joyce’s experimental use of language.

The Ulysses 100 stamps and a special First Day Cover commemorative envelope are available at selected post offices nationwide and online at

An Post CEO, David McRedmond said: “The claims for Ulysses as the greatest novel of the 20th Century, and the first great modern novel, remain vibrant. Its 100th anniversary shows something else: that Ulysses is as relevant now as a work of art as when it was written. These stamps reflect the unique mix of modernism and classicism that define the novel.”
Internationally renowned Joycean expert, Senator David Norris said: “Frozen in time the images on these stamps illustrate remarkably the period of James Joyce’s Ulysses in 1904. It is tempting to think that in the world of fiction these stamps might have adorned Bloom’s letter to Martha Clifford. I congratulate An Post on their production to mark the centenary of the publication of Ulysses.”

Tell me about Ulysses?
Stephen, the 22-year-old protagonist who previously featured in Joyce’s earlier novel, A Portrait of the Artist as a Young Man, begins his day at the Martello Tower in Sandycove, while 38-year-old Leopold Bloom, a Jewish husband, father, and advertising executive starts his day of wandering from his home at 7 Eccles Street in North Dublin.

Set over 19 hours, Ulysses chronicles the encounters and interactions of the pair as they go about their day-to-day life. The narrative features streams of consciousness and inner-monologues from the characters, allowing readers complete access to their unfiltered thoughts on the places and people they encounter. It also features their views on the present, memories of the past, and concerns about the future.

Ulysses was first serialised in 18 separate parts in the American journal ‘The Little Review’ from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce’s 40th birthday. Beach, an American-born bookseller, and publisher, founded a bookshop and lending library in Paris called Shakespeare and Company in 1919. The shop specialised in books published in Great Britain and the United States and was a hub for expatriate writers to immerse themselves in the literary life of Paris.

What is the ‘Gilbert Schema’?
Inspired by James Joyce’s use of the ‘Gilbert Schema’ within Ulysses, the stamp design consists of 18 sections which signify the number of chapters in the book. Recognising that readers needed support in grasping the nuanced allusions and intricate structures of the novel, the ‘Gilbert Schema’ was an 18-part episodic table produced by Joyce to help readers understand the enormous complexity of Ulysses.

Ulysses 100 website

The Ulysses100 digital platform has been developed by the Museum of Literature Ireland (MoLI), in partnership with the Government of Ireland, to promote and collect information on events relating to the centenary of the publication of James Joyce’s Ulysses.

Many events, exhibitions and artistic commissions are planned for this year across the globe, and our hope is this website will allow visitors to easily access information about – and participate in – these events. The site is updated weekly, and will promote events through social media using the hashtag #Ulysses100.

If you have an event, exhibition or any activity (no matter how large or small) relating to the Ulysses centenary, you can upload information, images, audio and video to the site. From major exhibitions to small meet-ups, we would love to know – and let the world know – what you are planning. Just click here to make a submission.

Ulysses100 is also a collecting mechanism to record the centenary activities for future study and research – the site will remain active online throughout 2022 and 2023, at which point its content will be accessible in perpetuity through the museum’s digital archive at We hope to further populate the site after the centenary with further material relating to centenary events and happenings, where possible.

Developed with the support of the Government of Ireland, University College Dublin, the National Library of Ireland and Ebow.

Ulysses for All

Ulysses for All 2022

Online Course Spring Summer 2022

Read Ulysses by James Joyce in 2022! Join our global readership (and guest speakers) for an online odyssey from the James Joyce Centre this Spring where the 10th edition of ‘Ulysses for All’, led by Dubliner and Joycean, Dr. Caroline Elbay will celebrate the centenary of Joyce’s great Dublin epic.  A carnival of language (and linguistic styles) and a celebration of existence, Ulysses deals with (but is not limited to) sex, alcohol, adultery, identity (in all its forms), life, death, religion, and guilt.

The course is a live zoom session for 18 weeks on Wednesday evenings from 6pm – 8pm.
Start Date: 2/2/2022
End Date: 8/6/2022
Fee: €140

To critics who found the book unreadable and/or obscene, Joyce simply replied “If Ulysses isn’t fit to be read, then life isn’t fit to be lived”.

This year’s course will celebrate the Book of Bloom: Joyce’s Wandering Womanly Jew “My beloved subjects, a new era is about to dawn…ye shall ere long enter into the golden city…the new Bloomusalem in the Nova Hibernia of the future”  (U15: 1542-44)

When Jacques Mercanton posed the question to James Joyce regarding the placing of Bloom as the central figure in Ulysses, the response emphasised not only Bloom’s ‘Jewishness’ but also his ‘foreigness’: “Bloom Jewish?  Yes, because only a foreigner would do”.  The Jews were ‘foreigners’ in Dublin at that time.  There was no hostility towards them but contempt, yes, the contempt people always show for the unknown (Nadel).   This is one of many aspects that make Ulyssesperhaps even more relevant today than when it was originally written.  In an increasingly globalised world where migration, trans-nationalism, and the emergence of nation states (and nationalism) are an everyday reality, any investigation of the character, Bloom, is ultimately an investigation of both individual and social identity (along with all its attendant concerns and prejudices) in a world where ‘foreigness’ has become an intimate and everyday reality.

***Places are limited, so early booking is advised***

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Painting Ulysses

James Joyce

Painting Ulysses is an exhibition based on the 18 episodes of James Joyce’s novel. The works, painted by Aidan Hickey to mark the 100th Anniversary of Ulysses’ publication, will hang in the James Joyce Centre, North Great George’s Street, Dublin, from February to June, 2022.

Since each of Joyce’s episodes was written in a different literary style, Hickey designed each painting in a different visual style. This exhibition responds to both the text of Ulysses and an eclectic exploration of European Art History.

Aidan Hickey studied at the National College of Art and spent most of his career drawing and writing animated films for Children’s TV. Always keen to tell visual stories, he worked in a Narrative style and searched for a suitable subject. And, about six years ago he found it, in Ulysses. Today, looking at the finished paintings, he says,

“Pictures can convey a lot of the spirit of a written episode, but very little of its true significance. That said, even if my paintings only hint at the novel’s wealth of comedy and complexity, they might, for a new audience, become a silent “Open Sesame” to Joyce’s treasure trove.”

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Budgen Collection

The Budgen Collection

Budgen and Joyce

Frank Budgen (1882 – 1971) was an English writer and painter who lived in Switzerland during the First World War. He met James Joyce in Zurich in 1918, after their mutual friend, Horace Taylor, insisted that they meet. Over the next two years, Budgen and Joyce met almost daily to walk, talk, and drink wine. During these meetings they discussed Ulysses, the novel Joyce was then writing. In his memoir James Joyce and the Making of Ulysses, Budgen describes the first time he met Joyce.

“I saw a tall slender man come into the garden through the restaurant. Swinging a thin cane he walked deliberately down the steps to the gravelled garden path. He was a dark mass against the orange light of the restaurant glass door, but he carried his head with the chin uptilted so that his face collected cool light from the sky. His walk as he came slowly across to us suggested that of a wading heron.”

The two developed a strong bond and friendship, one so comfortable and trusting that Joyce used Budgen as a sounding board while writing many of his great works, most notably Ulysses. Over the years, Budgen amassed a large library of works written by and about Joyce, and went on to write his own account of their friendship. He detailed their friendship in his memoirs and continued to collect books and other materials relating to Joyce. Many of the items he received contain handwritten notes from the authors, including Joyce himself.

In 2012, his daughter, Joan Budgen, donated a portion of his library to the James Joyce Centre. The collection includes 23 books and related ephemera, 3 original sketches, and 1 audio tape cassette.

“The books…came from the library of my father, Frank Budgen, and, when he died in 1971, I inherited them. He was a close friend of James Joyce, especially during the years of the writing of Ulysses in Zurich, about which he wrote in James Joyce and the Making of Ulysses.” Joan Budgen, 25 July 2012

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Paul Léon Furniture

Paul Léon Furniture

“As one grew to know him, one became as it were enveloped by a fine network of half-expressed thoughts and feelings that created an atmosphere of such suavity that it was difficult to resist, all the more so since it contained no element of restraint.”
Paul Léon on James Joyce

The James Joyce Centre Dublin is home to a table and four armchairs that came from the apartment of Joyce’s friend Paul Léon in Paris. Here Joyce was an almost daily visitor from 1928-1939.

Paul Léon was a Russian Jewish émigré who left Russia after the Revolution and came to settle in Paris in the 1920s with his wife Lucie. He was a lawyer, philosopher and sociologist who had published two books. James Joyce and Paul Léon first met through Giorgio’s friend Alex Ponisovsky, Léon’s brother in law, who was giving Joyce lessons in Russian. In the early 1930s, Léon took over as Joyce’s unpaid secretary looking after most of his legal and literary correspondence. When Joyce was writing Finnegans Wake, bad eyesight and general ill health made the task of birthing ‘the monster’ even more difficult. Léon’s help, was indispensable.

Joyce and Léon met regularly with others to work on the text. Towards the end of November 1931, Philippe Soupault joined the group which met each Thursday at 2.30pm in Léon’s apartment on the rue Casimir Perier. They would use the table and chairs that you see in the exhibition, and read the English and French texts of Finnegans Wake. Léon would regularly threaten to sell the round table if Joyce would only inscribe his name upon it.

Their relationship was typified by the following correspondence when Joyce wrote a note to thank Léon for his help in April 1930, Léon replied

“One thing I do object to, it is in your thanks to me which I do feel I cannot ever thank you enough for having allowed me to observe the formation of your thoughts which is, I confess, both captivating and meaningful”.

After the Joyces fled Paris in 1940, Léon salvaged the family’s belongings and dispersed them among friends for safe-keeping for the duration of the war. Léon was arrested by the Gestapo in 1941 and died in a concentration camp in Silesia in 1942, but it was thanks to his efforts that the Joyces’ possessions survived the war.

Joyce recorded his own appreciation of Léon in Herbert Gorman’s biography:

“For the last dozen years, in sickness or health, night and day, he [Léon] has been an absolutely disinterested and devoted friend and I could never have done what I did without his help.”

This exhibition now recreates the apartment to pay tribute to this extraordinary friendship. The James Joyce Centre gratefully acknowledges the support of Alex Léon, The Heritage Council, The Office of Public Works and Mr. Danis Rose.

Exhibition at the James Joyce Centre

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Podcast Last Year in France

Podcast Last Year in France

Et Voilá ! Franco Irish podcast channel sponsored by the Cultural section of the French Embassy in Ireland. The 2 episodes talk about James Joyce last year in St Gérand le Puy in France with Marion Byrne from Association de James Joyce in St Gérand, Darina Gallagher Director in James Joyce Centre, Dr Adrian Paterson NUI Galway, Catherine Gagneux French Hon Consul Connacht & Donegal

Contributors: Olwen Fouéré reading and performance of Tutto e Scoilto and Finnegans Wake, Paraic Breathnach reading and performance of Flower to my Daughter and The Night piece, Aindreas Muldowney Reading of correspondanc, Laure Terchair/ Laure Chartier music for Tutto e Scoilto, Alan Preims Soundcast and Podcast Galway for Recording, editing, music composed

Listen to James Joyce’s Last Year In France Part One by Et Voilà ! on #SoundCloud

Listen to James Joyce’s Last Year In France Part Two by Et Voilà ! on #SoundCloud

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The Bloomsday Poem

The Bloomsday Poem

Each year the James Joyce Centre has the honour of commissioning a poem for Bloomsday. For Bloomsday 2021, Éilís Ní Dhuibhne created the beautiful – Lower Drumcondra. The Irish Times filmed Darina Gallagher, Director of the James Joyce Centre reading the poem.

Watch the Reading


Griffith Park has beauty.
Willows, dandelions
And tumbling chestnuts
Choirs of children laughing.
In the bubbling river
a heron always stands
Watching, on a rock,
Like any artist.

These shining slopes
Are built upon a dump.
Once the Millmount hills
Were lumps of rubbish,
mouldy offal,Micky Mud.
How it must have stunk.

He spread his wings
And headed south
Through Dorset Street
and Eccles.
North Richmond which is blind.
And on and on
and on.

Sixteen moves
Before he reached the boat.
Not quite a house for every year.
But close.

When he was twelve
He lived on the riverside
He saw the heron,
legs delicate and long,
Enchanting midstream
In the land of tundish.

She stands in the river still
Sublime upon her rock
Listening to the best English
The ardent river song.

The Joyce’s house is gone.

About the poet 

Éilís Ní Dhuibhne was born in Dublin in 1954 and is a graduate of UCD.

She lived for one year in Copenhagen, and otherwise has always lived in Dublin. She has two grown up sons and two grandchildren.

Eilis went to school to Scoil Bhríde, now in Ranelagh, and to Scoil Chaitríona, on Eccles Street. Then she studied at UCD, for almost ten years. She focused on literature and narrative studies, studying Pure English for the BA, doing an M Phil in Middle English and Old Irish, and finishing in 1982 with a Ph.D., dealing with the relationship of oral and written narrative. From 1978-9 she studied at the Folklore Institute in the University of Copenhagen as a research scholar, while researching her doctoral thesis.

Eilis worked in various jobs while she was studying – in Greene’s Bookshop, as a still room waitress on the Isle of Wight and on the Friesian Islands, in St James’s Hospital as a nurse’s assistant. For many years she worked as an assistant keeper, a librarian, in the National Library of Ireland. She has been lecturer in Creative Writing in UCD, and Writer Fellow at Trinity College. She was Burns Scholar at Boston College for Fall 2020.

She started writing short stories when she was a student and published her first story in the New Irish Writing Page in the Irish Press, in 1974 (the story was called ‘Green Fuse’), under the pseudonym Elizabeth Dean. For about ten years she wrote occasional short stories, many of which were published in the Irish Press.  Her first collection of stories was published in 1988, Blood and Water, and since then she has written 25 books, including  novels, collections of short stories, several books for children, plays and non-fiction works. She writes in both Irish and English. A list of the books is available on this website: see PUBLICATIONS on the menu on the left of the front page.

She has won several awards for her writing over the years. Among them are The Bisto Book of the Year Award, the Readers’ Association of Ireland Award, the Stewart Parker Award for Drama, the Butler Award for Prose from the Irish American Cultural Institute and several Oireachtas awards for novels and plays in Irish. The novel The Dancers Dancing was shortlisted for the Orange Prize for Fiction. In 2015 she was awarded the Irish PEN award for an outstanding contribution to Irish literature, and in 2016 she was given a Hennessy Hall of Fame award for lifetime achievement.  Her stories are widely anthologized and translated. Her latest novel for young people, Aisling, was published in 2015; her Selected Stories were published in 2017 by Dalkey Archive Press, and a memoir, Twelve Thousand Days, in 2018. She recently published a collection of short stories, Little Red and Other Stories (Blackstaff Press 2020.

She was elected to Aosdána, the academy of Irish writers and artists, in 2004. She is a current ambassador for the Irish Writers’ Centre, and President of the Folklore of Ireland Society (An Cumann le Béaloideas Éireann).

Éilís Ní Dhuibhne

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James Joyce

James Joyce (1882 – 1941) is one of Ireland’s most influential and celebrated writers. His most famous work is Ulysses (1922) which follows the movements of Leopold Bloom through a single day on June 16th, 1904. Some of Joyce’s other major works include the short story collection Dubliners (1914), and novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939).

Joyce was born in Dublin on 2nd February 1882 at 41 Brighton Square, Rathgar, Dublin, Ireland. Joyce’s father was John Stanislaus Joyce and his mother was Mary Jane “May” (née Murray). He was the eldest of 10 children.

He attended school in Clongowes Wood College and Belvedere College (just up the road from the Centre) before going on to University College, then located on St Stephen’s Green, where he studied modern languages.

After graduating from university, Joyce went to Paris, ostensibly to study medicine, and was recalled to Dublin in April 1903 because of the illness and subsequent death of his mother. He stayed in Ireland until 1904, and in June that year he met Nora Barnacle, the Galway woman who was to become his partner and later his wife.

In August 1904 the first of Joyce’s short stories was published in the Irish Homestead magazine, followed by two others, but in October Joyce and Nora left Ireland going first to Pola (now Pula, Croatia) where Joyce got a job teaching English at a Berlitz school. After he left Ireland in 1904, Joyce only made four return visits, the last of those in 1912, after which he never returned to Ireland.

James Joyce in the Dublin garden of
Constantine Curran in 1904.

James Joyce photographed with
his Grandson Stephen in 1934.

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Burns Night

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Delighted to host this wonderful production with great people, RTÉ Radio 1, Christmas Eve, 9-10pm, December 24 2020.

Walking Tours

Visit the James Joyce Centre

The James Joyce Cultural Centre can be found just around the corner from Dublin’s north city centre, O’Connell Street. It is situated in a stunning Georgian townhouse and offers the visitor historical and biographical information about James Joyce and his influence in literature. See the door to the famous No 7 Eccles Street from “Ulysses”, art exhibitions and more to bring the author and his works to life. With the help of our free audio guides in English, French, German, Italian and Spanish, interactive displays and knowledgeable walking tour guides, you will discover a piece of the literary history of Dublin. Our walking tours appeal to visitors with a casual interest and Joycean experts alike while our shop has a great selection of books by and on Joyce as well as other Joycean memorabilia. We run monthly evening lectures between September and June. Private walking tours and group tours and workshops are available for which advanced booking is necessary. Only the ground floor of the Centre is wheelchair-accessible.

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“Our guide was brilliant- well spoken, knowledgeable, and
very passionate. Such a fantastic experience for anyone
visiting Dublin and I would highly recommend it!”

Trip advisor, Georgia  Feb 2020

Walking Tours

Our walking tours appeal to visitors with a casual interest and Joycean experts alike. They give a wonderful insight into the life and literature of James Joyce and explore our unique location at the heart of Joyce’s Dublin.

  • The usual rate for a walking tour is €12 for adults and €10 for students and seniors.
  • All tours depart from the James Joyce Centre and last 90 minutes.
  • Ireland is known for its rain, so please wear appropriate waterproof clothing.
  • Bookings for walking tours are non-refundable.

Introducing Joyce’s Dublin Walking Tour

Though Joyce lived most of his life outside of Ireland, Dublin would provide the backdrop for virtually all of his work. On a stroll around the north inner city, our guide will explain the real-life inspiration behind some of Joyce’s most celebrated writing and will show just how central the streetscape of the ‘Hibernian metropolis’ is to the author’s life and art. The tour visits stops such as Joyce’s alma mater, Belvedere College; North Hardwicke Street, the setting of the short story ‘The Boarding House’; The Gresham Hotel, the setting of the final and most memorable scene of the short story ‘The Dead’; and the James Joyce Statue on North Earl Street, affectionately known as the ‘Prick with the Stick’. The tour also includes a visit to the site of one of the most famous addresses in English literature, No. 7 Eccles Street, and retraces the steps of Leopold Bloom’s celebrated journey to buy a pork kidney in the fourth episode of Ulysses. This tour ends on O’Connell Street. 

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Dubliners Walking Tour

Joyce once referred to Dublin as the ‘centre of paralysis’, a city that he felt was backward and repressive in contrast to the modern capitals of Europe. This idea found its expression in Dubliners, a short story collection that illustrates the effects of this restrictive atmosphere on the city’s population. Join our guide on a walk that visits some of the key locations from both the collection and the author’s life, discussing all the while Joyce’s critical portrayal of the social, religious and political landscape of his home town. This tour also gives some insight into the publication history of the collection, itself a story that creates a sense of Joyce’s artistic mission and his controversial approach to writing about Dublin. This tour ends around O’Connell Street. 

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Footsteps of Leopold Bloom Walking Tour

The ‘Lestrygonians’ episode of Ulysses sees Leopold Bloom make his way through the city centre on his way from Middle Abbey Street to the National Library. As he begins to feel the rumblings of hunger, his thoughts become centred on the social, political cultural and religious significance of food; as he goes on to think, food underlies all relations to the extent that ‘peace and war depend on some fellow’s digestion’. Bloom’s musings on the importance of food are mixed with a commentary on the architecture that surrounds him, emphasising Dublin’s position as a colonial city. Join our guide as we follow in Bloom’s footsteps and discuss these thoughts, focusing on Joyce’s effort to bring the unsavoury workings of the body into a work of art and use food as the basis of a political and social commentary. This tour ends on Kildare Street. 

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Group Visits

The James Joyce Centre offers various options for group visits. If there are 10 or more of you, why not avail of our group rates? Please find descriptions of the options below as well as rates and terms and conditions for 2020. Due to limited capacity in the Centre, groups must book in advance to ensure availability.

Here is an overview of what is available for groups:

Visits to the James Joyce Centre

The main permanent exhibition is self-guided and focuses on Ulysses, but also deals with other aspects of Joyce’s life and work. The exhibition contains video documentaries, room reconstructions and computer installations. You can also see the door of No 7 Eccles Street, the home of Leopold Bloom in Ulysses, and the furniture from Paul Léon’s apartment, where Joyce wrote part of Finnegans Wake. In addition, we host temporary exhibitions inspired by Joyce, his life and works.

Group admission to the Centre is €3.50 for students/seniors and €4.50 for adults.

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Walking Tours

The Centre offers walking tours to suit all levels of interest in Joyce, from those who have little or no knowledge of Joyce to those who are more familiar with his life and work and want to explore the city he wrote about. We can also tailor tours to specific interests.

Prices start from €10 for students/seniors and €12 for adults. Tours usually last from 60-90 minutes. For more details visit our Private Walking Tours or Student Walking Tours pages.

Book a Group Walking Tour


We offer workshops and tours at the Centre for groups studying works by James Joyce. The students will be led in a discussion which will touch on different aspects of the chosen text and we hope to be able to introduce them to unfamiliar aspects, so they go back to the text again with different eyes.

All our group offers can be tailored specifically to the needs and interests of individual groups. You can also combine different elements and we offer special discounted rates for combinations of visits, walks and workshops.

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  • Group Admission for self-guided visit to Centre: €3.50 per student or senior (60+); €4.50 per adult; guides/teachers free of charge (see Terms & Conditions below).
  • Group Walking Tours of Joyce’s Dublin. Duration approximately 90 minutes. €10 per student/senior; €12 per adult with a minimum rate of €100. Tours range in suitability from those learning English to those studying Joyce’s works.
  • Student tours comprising of in-house presentation followed by short walking tour. Two student tours are available: “Introducing James Joyce” and “Dubliners.” Duration approximately 60 minutes. €10 per student with a minimum rate of €100 per group.
  • Customised Student Workshops. Duration approximately 45 minutes. From €8 per student with a minimum rate of €80 per group.


    • A group consists of 10 or more persons. Groups must be accompanied by a group leader for the duration of the visit/tour. Group leaders are responsible for their group throughout the duration of the visit/tour. Group leaders are free of charge up to a maximum of one leader per ten persons.
    • Groups must book in advance – at least 7 days’ notice is required for group admissions and four weeks’ notice for walking tours or workshops, subject to availability.
    • Maximum group size is 25 persons. Proposed groups over 25 persons will be split into smaller groups to visit separately at different times.
    • The James Joyce Centre reserves the right to refuse admission at its discretion.

    Opening Hours

    October – March

    Mondays: Closed from
    1st October – 31st March
    Tuesday to Saturday:
    10am – 5pm
    Sundays: 12 – 5pm

    April – September

    Monday to Saturday:
    10am – 5pm
    Sunday: 12 – 5pm

    Last admissions are at 4.30pm and our exhibitions close at 4.50pm.

    Admission to the Centre, including temporary exhibitions:
    Adults: €5
    Students/Concession: €4

    Group rates (10 persons or more)
    Adults: €4.50
    Students/Concession: €3.50
    Group payments must be made in a single transaction.

    If you are a tour group that is interested in visiting the James Joyce Centre be sure to contact us on [email protected] or +353 (0)1 8788547 to discuss your visit. Due to limited capacity in the Centre, groups must book in advance to ensure availability.

    How to Get Here

    The James Joyce Centre is located on North Great George’s Street which is close to O’Connell Street in Dublin 1. O’Connell Street is serviced by most main bus routes that pass through the centre of Dublin.

    The centre is also close to Parnell Square and the Parnell Street LUAS stop. Connolly Station is a close walking distance (5 – 10mins) to the Centre for DART and commuter rail users.

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